A bit hilani (Akkadian) was a type of palace or large public building in the late 2nd and early 1st millennia BC. They had a colonnaded front porch, as described in 1 Kings 7:1-11 in reference to Solomon’s palace in Jerusalem.
| Deity | Origin | Overview |
|---|---|---|
| Adad | Weather god. | |
| Anu | Sky god. | |
| Ashur | Ass | Assyrian national god. |
| Bel | Bab | “Lord,” an appelative of Marduk |
| Belet Kidmuri | Bab | Lady of Kidmuri: Istar of Calah |
| Daguna | Phil | Dagon, Philistine god. |
| Ekur | Temple of Illil in Nippur | |
| Illil | Sum | Enlil, head of Sumerian Pantheon |
| Inurta | Ass | Ninurta, Assyrian war god. |
| Iqbi-damiq | ||
| Issar | Ass | Istar, Assyrian war goddess. |
| Manlaharbanu | ||
| Marduk | Bab | Babylonian national God. |
| Nabu | Bab | God of Writing. Originally a Babylonian God. Extraordinarily revered by Assyrians. |
| Nanaia | Goddess of love. | |
| Sin | Moon god | |
| Shamash | Sun God | |
| Based upon Queries to the Sungod (Starr 1990, 366-367). | ||
| Starr, Ivan. 1990. Queries to the Sungod: Divination and Politics in Sargonid Assyria. Helsinki: Helsinki University Press. |
The ziggurat of Assyrian cities was less prominent than ziggurats in Babylonian cities.
Starting in the Old Assyrian Period, the Assyrian king chose a limmu (aka eponymous magistrate) for each year. This distributed authority, allowing the limmu to perform certain cultic acts. Records listing each year and its limmu are critical for reconstructing Assyrian chronology. The limmuship rotated amidst Assyrian noble families and sometimes even the king himself. and in which king participated. The limmu tradition continued through the period of decline (~1,050-934 BC) separating the Middle and the Neo-Assyrian Period; only limmuships from ~892-~648 BC have been reconstructed.
Assyrian style: beard; hairod; garments. More incised, not highly carved. Poepl in processions.
Syrian style: broader face, Phoenician and Egyptizing styles in arts and culture were emulated and imitated onthe Meditteranean coast in Phoenicia.
SYrian more solidslightly unbalanced, cutout work.
Egyptianizing wig, classene, palm, cut out.
| Nation | Carving | Face | Garments | Group | Symmetry | Notes |
| Assyria | More incised Not highly carved. |
Beard | Processions | |||
| Syria | Cutout work | Broader face. | Unbalanced | Phoenician and Egyptizing styles in arts and culture were emulated and imitated onthe Meditteranean coast in Phoenicia. |
Royal inscriptions… first across, then between two panels
Epigraph … a succinct little “comic book balloon” describing the events of the depicted scene.
Identifying features of an Assyrian king in reliefs are the fez, jewelry and braided beard and hair.
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